Shut Up and Dribble has a thought-provoking premiere.
American Players Theatre’s production of Athol Fugard’s play about mixed-race brothers has raised thorny questions about representation.
Their instruments can evoke every color of the rainbow, but the designers are still overwhelmingly white and male.
In the company of the jazz group Trio 3, pianist-composer Vijay Iyer, who is a bandleader, producer, Harvard professor and 2013 MacArthur Fellow, feels humbled.
Interactive theater can be stressful. Mercifully, “The Strange Undoing of Prudencia Hart,” which opens Thursday at Spoleto Festival USA, promises a far more relaxed immersive experience.
Andrea Cigni’s production of “Pia de’ Tolomei,” a 19th-century opera by Gaetano Donizetti that has its origins in Dante's "Purgatory," comes to the United States after playing limited engagements at three theaters in Italy in late 2017 and early 2018.
For “Borders” playwright Henry Naylor, whose background includes 20 years of stand-up comedy, finding the humor in difficult topics like the Syrian refugee crisis is crucial to telling a good story.
Nikkole Salter’s new play converts research to drama in exploring how African Americans healed their families post-slavery.
At New Georges, ‘Sound House’ and ‘This Is the Color Described by the Time’ are linked in repertory by their audience-enveloping sound design.
"Well I want a good show, even though my role has been reduced involuntarily from player to prop."